黃建樺 Chien-Hua Huang 黃建樺，2003年畢業於台灣藝術大學雕塑學系，而後於國立台南藝術大學造形藝術研究所時期轉而趨向影像創作，試圖將對實體時間空間的存在獨有看法帶入當代科技影像。2017年於國立台南藝術大學藝術創作理論研究所取得博士學位後，持續對人類存在於攝像操控時代的身分定位做探討。 面對當代黃建樺提到，「我們在一個越出的變形弔詭世界中游移，我們樂在其中，而且已經樂到失去辨別判準的能力。」作品企圖傳達出媒體時代透過符碼、語言戲局與社會體系所產出的影像動勢，於這影像時代視野的切換與相對應的生存經驗中，以直接而親密的方式和人們的想像建立連結，進而凝塑出多重且帶有脫序趣味的人性寓言。 Chien-Hua Huang received his BFA in 2003 from National Taiwan University of Arts, Department of Sculpture, and his MFA in 2006 from the Graduate Institute of Plastic Arts at Tainan National University of the Arts. During his time in Tainan, Huang’s work shifted towards image making. Huang conveys his views on time and space with contemporary digital photography. In 2017, he received his PhD from the Tainan National University of the Arts, Department of Art Creation and Theory, continuing his investigation into the identity of human existence in an image-driven age. With regard to contemporaneity, Chien-Hua Huang commented: ‘We are drifting in a paradoxical world. We find pleasure in it, but we have lost our ability to discern.’ He has extensively observed liminoid phenomena through signage, word play, and representation in the media era. With experiences in a digital age and shifting perspectives, Huang relates to the world’s wisdom in the most intimate and direct way, and relates a disorderly yet delightful parable of human nature.