袁愷葳 

Danielle Ranck

擁有8年拍攝與後製經驗，擅長拍攝、攝影、剪輯、動態圖像、3D動畫、製片和導演。先後於美國華盛頓特區與香港從事商業廣告導演與製片，目前專攻2D與3D動畫製作，以及新媒體技術如裝置、燈光、與互動藝術。

 

學歷

 

 

 

 

Danielle Ranck 

8 years of experience in video production, with expertise in filming, photography, editing, motion graphics, 3D animation, producing, and directing. Graduating with a degree in video production, she spent four years filming, editing, and creating motion graphic promotional videos in Washington D.C. Following that, she moved to Hong Kong to produce and direct commercial videos. Her current specialty focuses on 2D and 3D animation, and other new media mediums including installation, lighting, and interactive art.

 

Education

 

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Business Cases

 

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鐘佳諭

JHONG Jia-Yu

1997年出生於臺灣花蓮，目前就讀於國立臺灣藝術大學多媒體藝術學系新媒體藝術碩士班，畢業於大同大學工業設計學系學士。專長創作包含新媒體空間裝置的跨領域表演，致力於多向度的探索現代社會下人類之於社會的關係與定位，遊走在設計與藝術的思維之間，將概念融入視覺與聽覺，利用工業設計的專業背景，結合新媒體技術，呈現具表演特性的立體作品。作品往往將觀念反思注入象徵理性的硬材質，把抽象思考轉化具體的實踐，透過與大眾的互動經過投射社會現狀與自我省思。

 

學歷

 

 

 

JHONG Jia-Yu 

JHONG Jia-Yu was born in Hualien, Taiwan in 1997. She graduated from the Department of Industrial Design, Tatung University, and is currently studying a master's degree in New Media Art at the Department of Multimedia Art at the National Taiwan University of Arts. Jhong specializes in the creation of cross-field performances, including new media space installations, and is committed to the exploration of multi-dimensional relationship and positioning of human beings in modern society. Her method wanders between design and artistic thinking, and integrating visual and auditory concepts. Utilizing her background in industrial design combined with new media technology, she presents three-dimensional characteristics to her work and performances. Her works often portray a conceptual reflection of symbolism and rationality, transforming abstract thinking into concrete practice, and projecting social status and self-reflection through interactive artwork.

 

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作品介紹 Art Work

 

《廊道的迴響》Connection  作品介紹

 

「萬物從同個初始起點甦醒，在生命的洪流之中變化千萬種可能，最後被引至時間的出口。人類在裡面成為獨特的個體，擁有截然不同的視角，但仍然存在於同個維度中，彼此緊密的牽絆聯繫。」

 

《廊道的迴響》為結合燈光、音樂、裝置、場域的跨域表演，塑造六種生命歷程，從平淡舒緩轉折至振幅的高點，又驟然跌落至谷底，再匍匐掙扎，回歸平常，以此循環。這種輪迴給予觀者心靈上的共感、歸屬與慰藉。生活隨著戰爭、疾病、全球暖化的威脅，抑或資訊氾濫等問題日漸浮出變得混亂。社會的動蕩使人們處於壓力緊繃的狀態，因此與他人產生連結關係變得重中之重。縱然每個個體都是獨特的，但讓群體維持聯繫的線索是共感，共同發生於每個生命的波動。

 

作品藉由六段表演過程述說群體生命歷程與個體情緒的波動。六種音樂情緒敘述了各階段的狀態，為整個表演分成六段章節，搭配不同速度與顏色的燈光表述外在如何影響內在，創造關於情感和生命連結的體驗，從平淡舒緩轉折至振幅的高點，又驟然跌落至谷底，再匍匐掙扎，回歸平常，以此循環；燈光分布在場域角落與裝置上方，燈光動態依著音樂訴說生命故事，也創造出虛擬的表演空間；裝置位於空間中央，使用多色玻璃、彩色壓克力和鏡面表示不同情緒共同存在，築成一道代表人生的長廊，觀者漫遊其中。燈光與音樂的結合、裝置與沈浸式表演的搭配，使觀者沈浸、成為了作品的一部分，並嘗試從不同視角看待自身的生命經歷。

 

奧森・威爾斯表示：「我們是孤獨地出生……我們孤獨地死去。」這句話似乎令人生畏，但即使起點與終點都將一個人，卻仍可在人生旅途中經歷各種相遇與連結。作品透過沈浸式表演撫慰觀者，即便每個人都為單一個體，但依然共享相似的循環，無論種族、階級或性別，仍舊共有生命的快樂與悲傷。

 

"Connection" is a new media art installation combining light, space, and music to create a dramatic three-dimensional reflection of our inner emotions and the essence that connects us all. This performance was created to open a dialogue on the wonders and burdens we experience in life, by highlighting the effects of external influences on our emotions and the unique perspectives on how individuals experience them. This performance tells the story of such experiences by navigating through the fluctuation of emotions-birth, curiosity, passion, frustration, loneliness, and hope-therefore providing a connection and sense of belonging between us and offering a sense of comfort for those who feel alone in life.

 

With looming threat of war, fear of sickness, global warming, even social media, disruption is present in every aspect of our lives. We are always in the process of creation and destruction, and with ongoing global turmoil keeping us in a perpetual state of stress, connecting with others has never been more important. Especially if we isolate ourselves in thinking we are the only ones in distress. The modern age of science has shown a multitude of research outlining neurological uniqueness in each human being. Every individual sees color, objects, or metaphysical instances differently. We are unique, and alone in this way. But the fundamental principle that keeps us connected is the ever-fluctuating, and sometimes unstable, cycle of emotions we share. The manifestation of this concept integrates light, space, music, and installation. The performance cycles between each state in succession, narrating the fluctuation of emotions. The lights and music are used in conjunction, further narrating each state of mind and the transition between them. The music was created to mirror the spirit of each of the six emotional states. The use of light represents external influences reflecting, passing through, or absorbing into us. The installation's materials (including glass, acrylic, and metal) are used as physical representations of internal emotions. The material is multi-colored, representing the presence of each emotion on the installation. The installation itself represents our life experiences. It lies center stage, allowing space for the audience to roam, experiencing the artwork from multiple angles. As they scatter around the empty space, the audience themselves becomes part of the performance. Each member of the audience becomes an individual, in the same space, looking at their life experience (the installation), but from a different perspective.

 

In the words of Orson Welles, "we are born alone… and we die alone." While the implication of this statement might seem daunting, the journey seems less frightening if we look at it from the perspective of what connects us. This immersive performance hopes to impart to the audience that even in our darkest moments, when loneliness prevails, we can take comfort in the fact that (while unique to each person) we all share the same cycle of emotions; and in this way, we are not alone. No matter race, class, or gender, we all feel the happiness and sadness life has to offer.