出生於臺灣桃園，畢業於北藝大藝術跨域研究所。創作類型主要擴及影像、行動及書寫，關注生態環境、地緣政治、宗教信仰等議題，以及人如何回應自身所面臨之生命政治。透過田野實踐與藝術研究進行感性經驗及文本的生產，爬梳關注之社會現象與自身感受。以影像為創作核心，提出且實踐「行動電影」之概念，將影像作為藝術行動的一種可視化作為；並以田野式的藝術研究為根基，從個人擴及到群體、社會之間，探尋藝術如何成為一種能夠溝通的語言。

近期相關實踐計畫包含從泛靈信仰出發的土地公研究，在新北、桃園區域的《山若有神》系列作。以及自身家鄉大園所面臨徵收的長期計畫，透過出版、藝術行動、影像拍攝作為回應，並籌組團隊「空城現場」回應當下所發生之事件。

曾獲〈桃園國際藝術獎〉入選（2021、2025）、〈台北美術獎〉優選（2024）、〈北藝當代藝術獎〉首獎（2022）、〈高雄獎〉入選（2023），參與〈綠島人權藝術季〉、〈雅加達雙年展〉、〈流域行動藝術季〉等展出

Born in Taoyuan, Taiwan.  Graduated from TNUA Institute of Trans-disciplinary Arts.

The genre of his works mainly extends to video, Art Activism, and writing. He explores how people respond to their own biopolitics through the ecological environment, geopolitics, and religious beliefs. Through field practice and artistic research, he creates aesthetic experiences and texts. He uses video as a visualization of action in response. The concept of "Art Activism Cinema" is proposed and implemented to address social phenomena and his own feelings.

Recent projects include the study of land gods from the perspective of Animism, exemplified in "If Mountains Have Deities," which showcased Xinbei and Taoyuan. Additionally, there's the Aerotropolis project in his hometown, acquired by the government, where he utilizes publishing, Art Activism, and video documentation as forms of response. He also organizes the team "Delayed Takeo ff From Taoyuan" to address current events.

Selected for the Taoyuan International Art Award (2021, 2025), awarded Honorable Mention at the Taipei Art Awards (2024), First Prize at the NTUA Contemporary Art Award (2022), and selected for the Kaohsiung Award (2023). Participated in exhibitions such as the Green Island Human Rights Art Festival, Jakarta Biennale, and FLOW Art In Action, and others.