洪誼庭，1992年生，成長於南投，國立臺北藝術大學美術學系碩士班版畫組畢業，目前還在臺北生活和創作。

作品多從文化經驗中取材，像是將建立認知的印刷品，「翻成」新的感知模型；再藉由具有版畫概念的現地裝置與藝術家書籍，延展語言的邊界。關注的領域包含：時間的時間、套層結構和引用的詩學。除了特別喜歡以「再製」的手法，連結不同的「時間感」；也以筆名「辣盜步行」於2023年出版詩集《光臨小詩》。

曾於臺灣文學基地（2024）、寶藏巖國際藝術村（2017）駐村；近期個展包含《獻給飄落的蒸發》（2025，鯉魚藝廊）、《雪兒是珍珠》（2024，耳畫廊）和《沙漏裡的綠洲》（2022，寶藏巖國際藝術村）；過去作品曾獲選桃美獎（2019）、全國美展入選（2018）和高雄獎優選（2016）等。

HONG, Yi-Ting (b.1992) received her MFA in Printmaking from the Taipei National University of the Arts in 2022, and currently lives and works in Taipei, Taiwan.

Her practice often draws on cultural experience, transforming and recasting printed matter—the medium through which cognition is constructed—into new perceptual models. Through site-specific installations and artist’s books rooted in the concepts of printmaking, she extends the boundaries of language. Her research focuses on the time within time, mise en abyme, and the poetics of quotation. Favoring methods of “re-production” to connect multiple senses of temporality, she also writes poetry under the pen name Hooooot, publishing her collection Playing Poems in 2023.

She has undertaken artist residencies at the Taiwan Literature Base (2024) and Treasure Hill Artist Village (2017). Her recent solo exhibitions include Fading, Falling, Forming, Flowering (2025, Carp Gallery), Shell will be Pearly (2024, ER Gallery), and Oasis in-between the Hourglass (2022, Treasure Hill Artist Village). Her works have received recognition including the First Prize at the Taoyuan Fine Arts Exhibition (2019), selection in the National Art Exhibition (2018), and an Honorable Mention at the Kaohsiung Award (2016).