吳權恩畢業於國立臺灣藝術大學雕塑系，目前就讀南藝大造型藝術研究所，曾入選桃源美展－立體造形類，並於2023年分別推出《日常序列-吳權恩創作個展》／众藝術以及《星期天萬華》／伊日藝術。

​創作運用生活當中平凡出現的品牌物件、用具、傢俱，思考著這些同一功能不同品牌的物件，在生活中販賣、運行、移動、停留的狀態。從進入廉價五金百貨時，瀏覽塑膠商品所產生的速度感，到回到自己生活空間中，因各式品牌所產生的差異，在融化、拆解、重組的狀態下，不只是單純的觀看、凝視，而是伴隨者身體的游移行走，在延伸、重組、錯視的物件序列中，以一個新的方式重新觀看生活中的消費文化。

學歷

就讀中南藝大造型藝術研究所

展覽2023日常序列-吳權恩創作個展／众藝術

2023星期天萬華/伊日藝術計畫

2022當代一年展

2019材質的存在-「雕塑的應對與思考」心動藝術空間/台北

獲獎

2021桃源美展 立體造形類／入選

2019台北藝術自由日/伊日美學/松菸，評審團獎

2019臺灣國際木雕競賽／入選

作品介紹

「我想像它們停留在空間中的那個畫面，集成了零碎的影像散落在生活中，每個物件都以自身的樣貌在生活空間存在著，卻時不時在記憶牽連下產生序列。」運用生活當中平凡出現的品牌物件、用具、傢俱，思考著這些同一功能不同品牌的物件，在生活中販賣、運行、移動、停留的狀態，從進入各大品牌家具行中瀏覽商品的樣貌，到回到自己生活空間中，因各式品牌所產生的差異，在拆解、重組的狀態下，不只是單純的觀看、凝視，而是伴隨者身體的游移行走，在延伸、重組、錯視的物件序列中，以一個新的方式重新觀看生活中的消費文化所帶來的視覺經驗。

展覽概念

購買傢俱與生活用品已成為日常生活中的習慣，不論是平日在網路電商平台上的瀏覽，或是假日在各大百貨商場的走走看看，各種風格造型的商品映入眼簾，然後散佈在各個空間中。 我將不同品牌的同一物件組合起來，以一個3D破圖的方式拼接成一個錯視的造形，在這次的展覽中，我將作品以不同於傢俱物件的方式擺放於展演空間中，跳脫以往觀看這些物件的方式，重新思考生活中的消費文化所帶來的視覺經驗。

Born in 1997 in Nantou, Taiwan, and later settled in Taichung, I pursued my undergraduate studies in the Sculpture Department at National Taiwan University of Arts. During my university years, I began cultivating an interest in three-dimensional sculpture creation. Currently, I am enrolled in the Graduate Institute of Plastic Arts at National Tainan University of the Arts.My artistic focus revolves around objects, materials, and space, primarily manifesting through spatial installations or sculptures. In recent works, I explore themes related to plastic objects, daily utensils, and commodities. Through techniques such as melting and assembling, I aim to transform the conventional ways of observing objects, prompting a reconsideration of the visual experiences brought about by consumer culture in daily life.

Over the years, my work has been recognized with awards such as the

Tainan>(2024), selection in the (2020), and the Jury Award at the< Free Art Fair Taipei Art Freedom Day> (2019). My exhibitions include at YIRI ARTS B1(2023) and the at Zone Art (2023).

Education 

Exhibitions 

Art Work

"I imagine the scene of them lingering in space, integrating fragmented images scattered throughout life. Each object exists in the living space with its own appearance, yet occasionally generates sequences under the influence of memory. Utilizing ordinary brand objects, utensils, and furniture that commonly appear in daily life, I contemplate the states of these objects with the same function but different brands – being sold, operated, moved, and stationary in life. From browsing products in major brand furniture stores to returning to one's living space, the differences generated by various brands, in the state of disassembly and reassembly, involve not just simple observation or gaze but accompany the body's wandering movement. In the extension, recombination, and optical illusion of the object sequence, a new way emerges to reexamine the visual experiences brought about by consumer culture in life."