1988 年生於高雄，國立臺灣藝術大學新媒體藝術研究所碩士。曾獲2019年「基隆美展」攝影與新媒體藝術類-基隆獎，與2020年「《藝術跨域創作案》時光天井電視牆」得主等肯定。 藝術家以自身周遭對於地理志的觀察及感受，從錄像藝術與新媒體藝術探討的角度出發，嘗試對人類在當代城市居住環境做出提問，並且從當代文化地理角度延伸批判性思考。創作的思考問題，包括：如何將文化地理觀點，以錄像藝術表達、如何以錄像藝術與新媒體藝術手法應用在新媒體投影內容上、探討都市更新之社會議題。 本創作研究著眼于文化地理與歷史地理之間的關係，藉由空拍技術，以圖面標定高角度視野，顛覆舊有觀看角度，透過錄像藝術結合光雕投影之情境，進而探討人類居住空間與城市記憶的連結。在拍攝技術方面，利用俯瞰式全景影像，希望能讓觀者感受人類城市系統不同的觀看點，呈現當代城市的規律性、與可見與不可見的系統相互依存。本創作計畫試圖記錄城市與城市的連結關係，尤其城市通道是現代社會人群串聯的重要網路，以城市橋樑、圓環、道路的形象作為素材，再以錄像與新媒體創作方式呈現，經由變造後的影像處理方式及空間裝置的影像投影方式去思考批判。 Born in 1988 Kaohsiung, Huang was graduated from MFA in New Media Art of National Taiwan University of Arts. From the perspective of video art and new media art discussion, Huang tries to raise questions about human’s modern city living environment and critical thinking from contemporary cultural geography viewpoint through his own feelings and observation on surrounding environment. The creative questions that deserve consideration include how to present the cultural and geographic viewpoints through video art expression and how to apply the video and new media art on the content of new media projection for cities renovation and other social issues. The innovative research focuses on the relationship between cultural geography and historical geography. By means of aerial photography, he defines the view in a high angle perspective which overturns the old perspective. Through the scenarios that combine the video art and light craving projection, the artist further discusses the links between human beings’ living space and city memory. In the photography technique, he utilizes a panoramic view for presenting different viewpoints of city systems and displaying the regularity of modern city and the interdependence between the visible and invisible system. This creation is intended to record the links among cities; especially in the time when city channel has become the important network of how people interact with each other. Using images of city, bridges, roundabouts, and roads as materials, the artist presents the whole view by video and new media creation methods. Through the altered images and the spatial installation’s projection, he tries to think in a critical perspective about the surroundings.