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藝術新星Winner

梁瀚云

梁瀚云

我生長自高雄,家後步行約5分鐘便能到黃埔軍校的後山,父母常帶我和姊姊入山散步,大自然成為我最感親近的地方,也是我創作的靈感。大學主修英語,之後進入交通大學應用藝術研究所視覺藝術組,畢業前1年在陶藝社接觸到和平面創作不同的立體素材。2014年畢業後,在臺北從事設計,長時間面對電腦的工作之餘我也創作。因緣在2017年末,我辭去工作到日本高知,擔任陶藝家小野哲平的弟子,與小野老師學習裡我也創作。2020年起,在大阪wad藝廊舉辦初個展。今年初於「滋賀縣立陶藝之森」駐村5個月後在wad個展,並將於11月在和歌山norm藝廊舉辦個展。預定明年修行結束返台成立自己的工房。

I was born and raised in Kaohsiung. There is a hill 5 minutes by walk from my home. It is a part of the Military Academy area. Mom and dad often walked me and my elder sister there on the weekend. Nature becomes the place I feel always close to and also my inspiration. I majored in English back in university and later entered the Institute of Applied Arts to study visual communications design at National (Yang Ming) Chiao Tung University. One year before my graduation, I started to attend the pottery club, and experienced the three-dimensional materials other than two-dimensional. After graduating in 2014, I started working as a graphic designer in Taipei. Besides working in front of a computer, I would always draw illustrations and make zines when I was free. At the end of 2017, I got a chance, left my job and flew to Kochi, Japan learning from the ceramist Mr. Ono Teppei. I make my own works in my free time. In 2020, I held my first solo exhibition at wad+ gallery in Osaka. At the beginning of this year, I went to Shigaraki Ceramic Cultural Park for a five months artist in residence and along with my solo at wad+. In November, I will have another one at norm gallery at Wakayama. Next year after my graduation from Mr. Ono Teppei, I plan to come back to Taiwan and start to build my atelier.

創作自述 Artist Statement

我的創作多與自然連結,自然給我對生命的連結感相當緊密,對我來說,土是最接近萬物的素材,大多數人以及動植物的出生與死去,一切的活動都發生在土地上,而生命本身與土皆有單純與包容性的特質,土壤承接一切也給出她的所有,土壤(土地)是我在深尋生命的主題中很重要的象徵,我的創作主體多以土,結合採集到的自然物件為媒材,經過火的燒製轉化,完成作品。透過土、自然媒材與燒製的行動,從記憶、夢境、經驗出發探討生命的意涵。我希望提供觀者回歸到自身中心,從意識土與自然的自我反思活著的自我。

Nature is what I am always fascinated about and connected with. To me, soil is the closest material to us all living creatures. All of our activities happen upon her, within her, throughout our whole lives. Soil in a way is like the notion of life. They are simple and embracing in any form and therefore, soil (clay) plays an important role in my art making process as questing for the meaning of life. The main material I use is clay, and depending on the environment, I will collect the natural materials around the area. Making and later putting the works into the kiln for firing, the works transform in the fire. Searching for the meaning of life from memories, dreams and experiences, by using clay, natural materials and fire as medium to carry out my action. Hopefully to provide the audience a journey to come back to ourselves, to begin with self understanding reflected from nature and clay, to rethink our living-self.

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