徐婷，1993年出⽣於台灣台北，英國倫敦藝術⼤學－切爾西藝術學院美術碩士畢業。

徐婷曾獲2019年台南新藝獎及2018年世安美學獎。近期展出於：國立台灣美術館，台中，台灣 （2021年）； 就在藝術空間 (個展)，台北，台灣（2021年）；總爺藝⽂中⼼ (駐村)，台南，台灣 (2020年)；伊通公園 (個展)，台北，台灣 (2019年)；Lewisham Art House Gallery (個展)，倫敦，英 國（2018年）；她的公共藝術作品曾展出於漁光島藝術節，台南，台灣（2021年）；月津港燈節， 台南，台灣（2021年）和市立圖書館，台南，台灣（2020年）。

Hsu Ting was born in Taipei, Taiwan in 1993, and obtained her Master of Fine Arts degree from the University of Arts London, Chelsea College of Arts, UK.

Hsu Ting was awarded with the Next Art Tainan Award in 2019 and the S-An Cultural Foundation Art Award in 2018. Recent exhibitions include at the National Taiwan Museum of Fine Arts, Taichung, Taiwan (2021); Project Fulfill Art Space (solo), Taipei, Taiwan (2021); Tsung-Yeh Arts and Cultural Center (residency), Tainan, Taiwan (2020); IT Park (solo), Taipei, Taiwan (2019); Lewisham Art House Gallery (solo), London, UK (2018); her public art works has exhibited in Yu Guang Island Art Festival, Tainan, Taiwan (2021); Yujin Lantern Festival, Tainan, Taiwan (2021) and Public Library, Tainan, Taiwan (2020).

創作自述 Artist Statement

徐婷以攝影作為創作媒材，並將平面攝影圖像發展成空間性裝置。作品常以現地製作⽅式，融合不同維度的影像與空間關係，從而反思攝影與真實的切面。徐婷將攝影比作⽤相機產⽣筆觸的繪畫⾏為。她拍攝的畫面來⾃於⽣活周遭環境，例如城市、街道或房間。她將攝影創作視為持續中的過程而不是結論，並將攝影圖像擴展到捕捉它的有限時刻之外。她拍攝的畫面經常被抽象化，直到距離、 時間和地點都變得模糊後，重新展開到現場的展示空間中。從拍攝到展示，她清晰而有目的的操作， 研究了光影的攝影概念，以及在展示的框架與結構元素中如何突出影像、空間和觀看者之間的聯繫。

Using photography as her main creative medium, Hsu Ting develops flat photographic images into spatial installations. Her works are often produced in site-specific method, integrating images and spatial relationships of different dimensions, so as to reflect on the aspects of photography and reality. Hsu likens photography to painting, the act of producing brushstrokes with the camera. Her imagery is based on her surroundings, such as scenes from the city streets or her room. Regarding her photographic works as a process rather than a conclusion, her works attempt to extend the photographic image beyond the finite moment in which it is captured. Her images are often abstracted until distance, time and place are blurred and unfold into the present space. From shooting to display, her clear and purposeful manipulation studies the photographic concepts of light and shadow, as well as how the picture frame and structural elements can highlight the connection between image, space and the viewer.