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邀展藝術家Invited Artist

陳漢聲|Chen Han-Sheng

陳漢聲|Chen Han-Sheng

1988年出生於高雄,畢業於國立臺北藝術大學新媒體藝術研究所。目前擔任臺北市藝術創作者職業工會監視、走路草農/藝團負責人。擅長實驗動畫與動力裝置,並從自身家庭背景、身份延伸至創作,關注農業、自然、人與環境間彼此共存的關係。作品曾獲「臺北美術獎」優選、日本東京Art Olympia「第三屆國際性藝術比賽」傑出作品獎、「臺南新藝獎」首獎、「MATA獎」銀獎、入選「高雄獎」、「桃園創作獎」、「數位藝術奬」、「年全國美術展」、「深圳獨立動畫雙年展」。曾駐村於中國Art35、駁二藝術特區、泰國清邁Ne'-Na Contemporary Art Space、泰國曼谷Tentacles、香港藝術到家、竹圍工作室、寶藏巖國際藝術村,作品曾於法國龐畢度、曼谷雙年展、西班牙陶瓷雙年展、義大利袖珍織品藝術展、中國麗水攝影節展出。

Born in 1988, Kaohsiung (Taiwan), and graduated from Taipei National University of Arts.  Currently a Dierctor of the TAIPEI ArtCreator Trade Union, and a Curator of Walking Grass Agriculture. He works with experimental animation and mixed media kinetic installations, incorporating his own background and identity. His themes often include agriculture, nature and the coexistence of human beings with our environment. His works have garnered many positive responses, silver medal in the Taipei Arts Award, Honorable mention in Tokyo Art Olympia,  including the first prize of Next Art Tainan, silver medal in the MATA prize, selected for the Taoyuan Contemporary Arts Award ,the Digital art award Taipei, National Art Exhibtion ROC and the Shenzhen Independent Animation Biennale. Once Residency in C-lab creators, China Art35, The PIER-2 Art Center, Bangkok Tentacles, Chiang Mai Ne'-Na Contemporary Art Space, Bamboo Curtain Studio. Works have been exhibited in France Centre Pompidou, Bangkok Biennial, Spain Esplugues Angelina Alós 19th, Italy POP UP MINIARTEXTIL.

創作自述 Artist Statement

共生苗-土壤與時間
SYMBIOTIC SEEDLINGS–THE EARTH AND THE TIME
動力裝置|磁力結構、金屬、陶瓷、鐵刀木、鐵件|30x30x125cm(單組含架尺寸)|2018
Walnut, Porcelain, Metal, Motor, magnet, Mechanical Devices 2018

高雄大社在1988年,有兩種「人」為的爆炸事件,一個是我的出生,另一個則是在大社的兩起石化廠爆炸的意外事故,「人為」的爆炸在今日,似乎成為不陌生的「自然現象」,而我的故鄉大社在上述的自然現象中,正是一個的最「佳」的寫照,〈共生苗〉系列創作的發想之一,來自蔬菜的種苗盤,另一個發想,則是種苗從發芽開始,就伴隨在側的金屬聲響,那是工廠按時上下班的運作。農業與工業沒有絕對的「共生」關係,然而在社會產業中,兩者的消長,影響了生活的環境與生存的權益。看似農業與工業、自然與人工的對立,在生活中呈現出一種模糊的「妥協」與「習慣」,成為日常的「自然」的風景。

If soil react to plants , whether people will be able to re-notice the problem continues to occur in the environment? "Symbiotic Seedlings" is the refelction to home field between factories and residents, living the moment while ignoring the feelings . With magnetic drive, and metal percussion has become a field and factory coexist impression, seemingly agriculture and industry, natural and artificial confrontation, showing a blur "compromise" and "habits" if life , become the daily "natural" landscape.
This piece is controlled by magnets and motors, hence the metal weaved sprouts can move and sway, even spin; the metal scratches its aluminum container and produces different sounds. Magnetism gives movements the possibility of chance, increasing the state of biomimicry.

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