從小畫畫，寫實挫敗，大學學陶，透過土在形成陶各個階段中所蘊含著不同的文化意義來使用此媒材。
如果以大學作為創作成為作品的起點，在現在與過去的中間曾經離開陶一段時間，這段期間
我嘗試不同材質的運用，運用纖維還有自己的身體創作。近期回到陶的身邊。

I painting when I was kid, but realistic painting make me defeat.I learned ceramics in college , and I realized every process of the mud turning in to clay have its culture meaning.If the creation become work started from college.I escaped from ceramic for a while between now and the pass.During that days I tried several material, included fabric and my body. Recently I back to ceramic  

家中囤積著各式各樣的碎土塊，在這次的展覽，我將它們重新打碎泡水，並以拉胚的方式，快速生產出可供暫時承裝液體的容器，後以不耗費過多能源的溫度燒製而成，素燒狀態的杯子仍存在著毛細孔隙，即不能好好品茗，而要一飲而盡！免洗杯狀態的陶杯，與工藝陶被珍視的使用狀態不同，我將自己化為一生產工具，生產出具規模數量的胚體，在漫遊型態的展覽中，於節點空間，成為看展中飲水休憩的節點。

In this exhibition I reuse my hoarded crushed mud clod by break it, soak in water and remade become clay.I use Wheel-throwing skills to make the container which can contain liquid after that I fired those greenwaries in low consume energy to make it become bisque.The bisque state having many pore so you can’t drink the liquid by tasting only in one gulp.
The ceramic always regarded as precious crafts, but I try to make myself become a production tools to make scale quantity. In the roaming style’s exhibition, I will based in Zit-Dim Art space, becoming a node of rest place in this exhibition.